In this department you find 100% vector art. Portraits, illustrations and paintings, logos, business cards, cartoons and technical art for educational purposes that do not contain a single pixel. Properly drawn vector art can be re-scaled to any desired size without loss of quality.
In this department you find pixel based art. Portraits and paintings. Creating pixel art is the digital technique that resembles analog painting the closest, in terms of manual dexterity, reflecting the artist's mindset in the artwork.
Affinity Publisher can do almost anything for print that InDesign can do in less time, with less effort, for a much lower one time fee. I use this program to create modern and eye catching documents of all sorts, which include well structured, illustrated and effective educational material and occasionally things very different.
This website is an example of what can be done in modern web design, i.e. Web 3.0 type of web building that allows free positioning of objects, unrestricted by the page grid and stacking order, which makes it possible for web designers to create next level sites. The program I used to create this landing page, is the innovatively brilliant Nicepage . The image is a screendump of the landing page for Earth & Flight Composites' Wordpress online training website.
A good logo must be eye catching and settle easy in the mind so that it is swiftly retrieved from memory along with accompanying information at a later point in linear / cyclical time.
Cartoons may have mild or extreme distortion of the subject's face, keeping the likeness. If this criterium isn't met the usefulness of a cartoon goes out the window. In this image Elvis and Kill Bill Clinton are in the top row and Mr. Bean and Jeltsin in the bottom one.
Complex vector illustrations I make in Affinity Designer, simply because there is nothing that can't be done in vector drawing programs that can be done in bitmap editors. The added benefit of vectors being unlimited scalability.
In a stack of business cards a well designed card must stand out and be picked first before the rest. I draw these in 2D and 3D vectors so the design can easily be changed later should this by any chance become a client requirement.
A deep understanding of language - neurolinguistic programming & etymology, choice of words, sentence construction and cadence - is the best and effective way to convey a message persuasively. Language, even when appearing to be clear and unassuming, can conceal hidden aspects that affect the observer's subconscious. This is a well known fact in circles of advertisers and intelligence communities.
Since the early 1980's of the previous century I have been using airbrush guns to create art, among which is the difficult to tune and handle, but legendary accurate and versatile Paasche Turbo (now out of production) that I used to create this portrait.